New Nepali Folk Song KHOLIKO KINARA BY SUJAN LAMSAL || RAMJI KHAND || KARISHMA

Sarthak Digital Presents :- Nepali Folk Song 2017
Song:- Kholiko Kinara
Vocal:- Yagya Bk & Devi Gharti
Lyrics:- Sujan Lamsal
Music:- Sujan Lamsal
Audio/video:- Sarthak Digital Music Pvt. Ltd.
Recording Studio:- Maruni Digital Recording Studio
Director:- Mousam Himali
Cinematographer:- Durga Paudel
Editor:- Nabin Gharti Magar
Model:- Ramji Khand & Karishma Dhakal
Post Production:- Ekata Filma Pvt.Ltd.


At the point when Terence R Bech came to Nepal without precedent for 1964 as a Peace Corps volunteer, he might not have envisioned how this current down home's music and culture would move him. 

In the following couple of years, Bech traversed Nepal recording society music, gathering melodic instruments and interpreting verses. He flew out to remote locale with a knapsack measuring 40 kg, and a watchman conveying his Uher recording device and batteries. 

In one such undertaking, he endured better than his correct eye in a fall. The closest specialist was a three week leave, so he sewed the injury himself utilizing a mirror and his great eye. "Local people adored my showing," he reviews, "fortunately they couldn't comprehend the four letter words utilized as a part of the nonattendance of painkillers." 

When he cleared out Nepal in 1966, Bech had gathered 260 hours of chronicles in 400 open-reel phonotapes, 200 melodic transcripts, 120 melodic instruments, 7,500 tune writings, 41 life history investigations of Nepali performers, alongside a great many photos. These were housed in the Chronicle of Customary Music at Indiana College in Bloomington. 

A month ago, Terence Bech gave Indiana College the consent to give duplicates of the Terence R Bech Accumulation of Nepali Music to Madan Puraskar Pustakalaya (MPP) in Patan. The gathering will be accessible to analysts soon,â In an email talk with, Bech said his accumulation was done "more as a side interest than a scholastic". He is being humble. The gathering is priceless, a fastidious record with a list of dialect, name of entertainers, melodic instruments, social setting or significance, how the entertainer came to take in the tune, events amid which the tunes are performed and so on. The nature of sound in the accounts is uncommon. 

Bech went ahead to climb K2, turned into a mariner and an Ice voyager. He is presently living with his better half in the Netherlands. 

Once, following quite a while of strolling over the midhills of Nepal to record the tunes of the Raute people group, he touched base at a settlement just to discover the men had gone off chasing and there were just ladies and youngsters. They set up their portable shelter and soon thereafter the headman returned. Bech recalls that his Nepali was superior to the Raute's, who consented to sing and move just if Bech gave a goat and turn into a kindred spirit. 

The Bech Gathering is a one of a kind ethnomusical documentation and speaks to the authentic continuum of Nepali people music before present day impacts changed it. 

Joshi himself traversed Nepal amid World War II, and saw a great many villages without men who were off battling in Burma or Europe. It was the ladies who sang melodies of distress, of children in faraway wars.Satya Mohan Joshi, who additionally archived Nepali music from as far back as the 1940s, is pleased that the Bech Accumulation is back in Nepal. "We need to express gratitude toward Bech for his commitment to the protection of Nepali melodic legacy and imparting it to us," Joshi let us know. 

Lochan Rijal, teacher of ethnomusicology at Kathmandu College is likewise appreciative to Terence Bech's exertion. "Caps off to everybody who made this conceivable," he says, "having Bech's accumulation back in Nepal can contribute colossally to future research." 

Rijal says vital accumulations like Bech's should be dispersed in the nation of starting point for its most extreme advantage. It will enable scientists to take a gander at the development of culture and music in Nepal, and furthermore advantage understudies of customary Nepali music and move. 

Society music is something other than tunes, it communicates and catches the way of life of the circumstances: a birth in the family unit, coy two part harmonies, the torment of disloyalty or of solitary love, partition and aching, normal catastrophes. Bech's accumulation has music from all finished Nepal and will be accessible to scientists as long as they are not replicated or sold. Nepali ethnographers and musicologists owe Terence Bech a profundity of appreciation.