Samjhana Lamichhane New song 2024

The latest musical koseli “Pani Khanu Mulko” by Tilak Sunuwar, a very talented artist from Khiji Demba village of Okhaldhunga district, has recently been made available in the market by Sangham Sangeet Pvt Ltd. He brought songs like "Mohi Parne Madani" (Purbeli Vaaka) Mutuma Dinda Mayale" to the market, and has already established a camp in the minds of countless listeners and viewers.

Even though he was born in the eastern region of Nepal, Tilak believed that everyone should be able to present their art after entering the music market as an artist from other parts of the country by weaving his life there through song and music. After Bhaka, he has presented his art for other songs as well.

The melodious voice of Magar and Tilak Sunuwar can be heard in the lyrics of Pani Khanu Mul, which has recently come to the market. This song, released as a joint performance of Tilak Sunuwar and Kiswar Sunuwar, has the rhythm of Tilat Sunuwar and the lyrics of Sapna Sunam.

Like the sweetness of the song, the music video of this song has also become public. Parvathy Rai and John Rai can be seen acting in the video. The music video of this song is directed by Ekendra Sara Shankar, shot by Karan Chainsir and edited by Amar Shakya.

Please click below to watch the video.

At the point when Terence R Bech came to Nepal without precedent for 1964 as a Peace Corps volunteer, he might not have envisioned how this current down home's music and culture would move him. 

In the following couple of years, Bech traversed Nepal recording society music, gathering melodic instruments and interpreting verses. He flew out to remote locale with a knapsack measuring 40 kg, and a watchman conveying his Uher recording device and batteries. 

In one such undertaking, he endured better than his correct eye in a fall. The closest specialist was a three week leave, so he sewed the injury himself utilizing a mirror and his great eye. "Local people adored my showing," he reviews, "fortunately they couldn't comprehend the four letter words utilized as a part of the nonattendance of painkillers." 

When he cleared out Nepal in 1966, Bech had gathered 260 hours of chronicles in 400 open-reel phonotapes, 200 melodic transcripts, 120 melodic instruments, 7,500 tune writings, 41 life history investigations of Nepali performers, alongside a great many photos. These were housed in the Chronicle of Customary Music at Indiana College in Bloomington. 

A month ago, Terence Bech gave Indiana College the consent to give duplicates of the Terence R Bech Accumulation of Nepali Music to Madan Puraskar Pustakalaya (MPP) in Patan. The gathering will be accessible to analysts soon,â In an email talk with, Bech said his accumulation was done "more as a side interest than a scholastic". He is being humble. The gathering is priceless, a fastidious record with a list of dialect, name of entertainers, melodic instruments, social setting or significance, how the entertainer came to take in the tune, events amid which the tunes are performed and so on. The nature of sound in the accounts is uncommon.